In these six incisive essays, Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives. Photographs have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. Photographs are everywhere, and the ‘insatiability of the photographing eye’ has profoundly altered our relationship with the world. Susan Sontag’s groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. 'A brilliant analysis of the profound changes photographic images have had in our way of looking at the world, and at ourselves, over the years.' Washington Post 'Susan Sontag offers enough food for thought to satisfy the most intellectual of appetites.' The Times In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject. one of America's greatest public intellectuals' Observer 'The most original and illuminating study of the subject.' The New Yorker
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